The Age of Caricature : Satirical Prints in the Reign of George III (Paul Mellon Centre for Studies in Britis)

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William Pitt commissioned them. Alexander Pope collected them. The Prince of Wales bribed their makers to stop them from being produced. Not even the most respected and sharp-penned political cartoonist of our time wields the influences, or, it could be argued, possesses the artistic skills of the satirical engravers of England in the 18th century who elevated caricature to the level of high art. Diana Donald, a professor of art history at Manchester Metropolitan University in England, illuminates the art and meaning of more than 200 etchings by the top practitioners of the day (Rowlandson, Gillray, the Cruikshank brothers) as well as less-skilled amateurs and professionals who were popular once but are now mostly forgotten.


The New York Times Book Review, Edward Sorel
Ms. Donald's scholarship is thorough and her detective work in decoding all those cryptic images misses very little ... The Age of Caricature is an indispensable guide to these comic masterpieces and one that will be hard to improve upon.


Book Description
The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Diana Donald presents the first major study of these caricatures, showing that they were a widely disseminated form of political expression and propaganda as subtle and elegant as the written word.


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The late eighteenth century in England was the first great age of cartooning, and British caricature prints of the period have long been enjoyed for their humour and vitality. Now Diana Donald presents the first major study of these caricatures, challenging many assumptions about them.


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