Architecture and Ideology in Eastern Europe during the Stalin Era: An Aspect of Cold-War History

From Publishers Weekly
Western critics usually dismiss the architecture of the Stalin-era Soviet bloc, executed in the style known as socialist realism, as aesthetic totalitarianism or as embarrassing anachronisms. Aman, an art professor in Sweden, argues rather that socialist realist architects of East Germany, Poland, Czechoslovakia, Hungary, Romania and Bulgaria drew on their respective national traditions to create hybrid forms that often differed markedly from Soviet architecture. Decked out with 253 illustrations, this illuminating study focuses on such projects as Bucharest's enormous, Byzantine-arched Casa Scinteii and Warsaw's Palace of Culture, which many Poles despise as a symbol of Soviet domination. Aman profiles architects who strove for originality despite government restrictions. He draws interesting parallels between Soviet-bloc architecture and socialist realist paintings, which adhered to a hierarchy of subjects and themes. Copyright 1992 Cahners Business Information, Inc.

Book Description
Since 1978, Anders man has been researching, photographing, and documenting the architectural style known as Socialist Realism. In the midst of the current statue toppling, this book records in over 200 illustrations the government-planned buildings, cities, parks, and monuments from the Stalinist postwar period in Eastern Europe, providing a valuable record and analysis of the relation between architecture and the state in Poland, Czechoslovakia, Hungary, Romania, Bulgaria, and former East Germany.

Very little has been written on architecture and politics during the Cold War period for any country, and next to nothing is known about the architecture, or about state policies reflected in the architecture, of Eastern Europe. man not only illuminates these issues but also reveals the influence they had on the course of architectural history in the West.

Following an overview of the Stalinist era and the ideological spread of Socialist Realism, man investigates several buildings in detail monumental structures such as the Palace of Culture in Warsaw and Stalinallee in East Berlin - and the socialist cities of Stalinstadt, Nowa Huta, Sztlinvros, and Dimitrovgrad. Sketching the lives of eight selected architects, he illuminates how their profession was affected by Socialist Realism. man also takes up such

political works of art as the influential Polish painting "Pass me a brick!" and the Stalin monuments in Budapest and Prague, noting that even as history is being obliterated, Socialist Realism remains a key to understanding pictorial art and the built environment in Eastern Europe. He concludes with a discussion of how architecture is related to political ideologies.

Anders man is Professor of the History and Theory of Art at Ume University, Sweden.

An Architectural History Foundation Book

Language Notes
Text: English (translation)
Original Language: Swedish


Buy from Amazon     Compare Prices

Since 1978, Anders Aman has been researching, photographing, and documenting the architectural style known as Socialist Realism. In the midst of the current statue toppling, this book records in over 200 illustrations the government-planned buildings, cities, parks, and monuments from the Stalinist postwar period in Eastern Europe, providing a valuable record and analysis of the relation between architecture and the state in Poland, Czechoslovakia, Hungary, Romania, Bulgaria, and former East Germany.

Very little has been written on architecture and politics during the Cold War period for any country, and next to nothing is known about the architecture, or about state policies reflected in the architecture, of Eastern Europe. Aman not only illuminates these issues but also reveals the influence they had on the course of architectural history in the West.

Following an overview of the Stalinist era and the ideological spread of Socialist Realism, Aman investigates several buildings in detail monumental structures such as the Palace of Culture in Warsaw and Stalinallee in East Berlin - and the socialist cities of Stalinstadt, Nowa Huta, Sztalinvaros, and Dimitrovgrad. Sketching the lives of eight selected architects, he illuminates how their profession was affected by Socialist Realism. Aman also takes up such

political works of art as the influential Polish painting "Pass me a brick!" and the Stalin monuments in Budapest and Prague, noting that even as history is being obliterated, Socialist Realism remains a key to understanding pictorial art and the built environment in Eastern Europe. He concludes with a discussion of how architecture is related to political ideologies.

Anders Aman is Professor of the History and Theory of Art at Umea University, Sweden.

An Architectural History Foundation Book


Buy from Barnes & Noble     Compare Prices