The Art of Visual Effects: Interviews on the Tools of the Trade
- Book Review,
by Pauline B Rogers
Review
"For those who are interested in pursuing a career as a special effects artist or even for those who have just wondered how the heck they made those cool space ships in Independence Day, this book offers a behind-the-scenes look at the art and science of special effects." - Videomaker, November 1999
Review
"For those who are interested in pursuing a career as a special effects artist or even for those who have just wondered how the heck they made those cool space ships in Independence Day, this book offers a behind-the-scenes look at the art and science of special effects." - Videomaker, November 1999
Book Description
On today's feature films and commercials, visual effects are achieved using a wide array of tools and techniques, often combining camera techniques with computer-rendered images. This book presents a unique approach to the subject through the direct experiences of noted artists from the feature film, television and commercial realm.
The book is divided into two parts. Part one explores the historical background, including such tools as double exposure, in-camera mattes, miniature photography, Schufftan-technique, front and rear screen projection, Introvision, color difference mattes, motion control and other building blocks that have brought visual effects to its current status. Part two features a series of in-depth interviews with noted artists covering feature film, television, and commercial projects. The reader will learn how these technicians developed their tools and talents, including education, experimentation and development of their craft. The chapters will explore their approaches to various challenges in the projects they've worked on. Subjects such as blue/green screen, motion control, number encoding, plate photography, as well as miniature and creature design and implementation are only some of the areas that are covered. The artists also discuss how they work with the director of photography, how they document the set, production work, preparation for post production, as well as design and development of various composite elements. In addition to the techniques employed on various projects, the artists discuss specific shots that succeed and others they wish they could do over, and how they would undertake them the second time.
Examines visual effects from recent blockbuster films
Decision-making and problem-solving discussed by leading experts in the field
Useful for directors and producers as well as effects supervisors and cinematographers
From the Publisher
The book is divided into two parts. Part one explores the historical background, including such tools as double exposure, in-camera mattes, miniature photography, Schufftan-technique, front and rear screen projection, Introvision, color difference mattes, motion control and other building blocks that have brought visual effects to its current status. Part two features a series of in-depth interviews with noted artists covering feature film, television, and commercial projects. The reader will learn how these technicians developed their tools and talents, including education, experimentation and development of their craft. The chapters will explore their approaches to various challenges in the projects they've worked on. Subjects such as blue/green screen, motion control, number encoding, plate photography, as well as miniature and creature design and implementation are only some of the areas that are covered. The artists also discuss how they work with the director of photography, how they document the set, production work, preparation for post production, as well as design and development of various composite elements. In addition to the techniques employed on various projects, the artists discuss specific shots that succeed and others they wish they could do over, and how they would undertake them the second time.
About the Author
Pauline Rogers is a staff writer at International Photographer, a trade magazine published by the union of cinematographers Local 600 IATSE in Los Angeles.
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