More Contemporary Cinematographers on Their Art
- Book Review,
by Pauline B. Rogers
Review
"...features a stellar array of directors of photogrpahy, many of whom are ASC members." - American Cinematographer, November 2000
"Rogers fine sequel to her first volume is indispensable for those interested in the art and craft of cinematography." - American Cinematographer, November 2000
Review
"...features a stellar array of directors of photogrpahy, many of whom are ASC members." - American Cinematographer, November 2000
"Rogers fine sequel to her first volume is indispensable for those interested in the art and craft of cinematography." - American Cinematographer, November 2000
Book Description
This sequel to Contemporary Cinematographers on Their Art offers in-depth conversations with some of the most important cinematographers working in film, television and commercials today. It includes younger cinematographers who have recently made their mark as well as icons of this craft. The conversations cover all aspects of cinematography from pre-production planning to post-production, special effects, underwater photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in films and television were lit and captured.
Like its predecessor, this book explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political proprieties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment.
Interviews with prominent, award-winning cinematographers
Insight into some of the most popular and innovative movies today
Covers all aspects of cinematography, including post-production and special effects
From the Publisher
Like its predecessor this book explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political proprieties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment.
About the Author
Pauline Rogers is a staff writer at International Photographer, a trade magazine published by the union of cinematographers Local 600 IATSE in Los Angeles.
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