Three Turk Plays from Early Modern England: Selimus, Emperor of the Turks: A Christian Turned Turk: and The Renegado

FROM THE PUBLISHER

During the sixteenth and seventeenth centuries, the Ottoman empire posed a clear and present danger to Christian rule in Europe. While English commerce with the Mediterranean world expanded, Ottoman forces invaded Greece, Hungary, and Austria. At the same time, "Turkish" pirates and renegades from North Africa roamed the Atlantic and raided the coast of England. The threat was ideological as well: English sailors captured by Barbary pirates sometimes renounced their faith and converted to Islam. Here, three important early modern "Turk" plays -Robert Greene´s Selimus, Emperor of the Turks (1594); Robert Daborne´s A Christian Turned Turk (1612); and Philip Massinger´s The Renegado (1623) -are available for the first time. These texts represent Islamic power and wealth in scenes of piracy on the high seas, on-stage execution by strangulation, and rites of religious conversion. The plays are set in historical and cultural context by Daniel J. Vitkus´s clear and thoughtful introduction. These carefully edited, annotated, modern-spelling editions are particularly valuable for understanding the cultural production of English identity in relation to the Islamic Other.

SYNOPSIS

These texts represent Islamic power and wealth in scenes of piracy on the high seas, on-stage execution by strangulation, and rites of religious conversion. The plays are set in historical and cultural context by Daniel J. Vitkus´s clear and thoughtful introduction. These carefully edited, annotated, modern-spelling editions are particularly v

FROM THE CRITICS

Greg Bak

Vitkus has done the field of early modern studies considerable service in producing this edition of these plays. By presenting, in modern English and in an accessible format, three interesting plays together with supporting documents, he has made it much easier to introduce these texts, and the fascinating issues that they raise, into undergraduate teaching and research.

Theodore Leinwand

Daniel Vitkus equips us with an extremely informative introduction as well as fresh, reader-friendly editions of three plays about that great early modern English ‘other, ´ the Turk, and about Islam´s enigmatic ally, the renegade or convert. Sixteenth- and seventeenth-century imaginings of Islamic culture (from Barbary pirates to Ottoman despots, from circumcision to the seraglio feature prominently in well over a dozen Elizabethan and Jacobean plays, so it is high time that we had easy access to three prime examples.

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