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Wystan and Chester: A Personal Memoir of W. H. Auden and Chester Kallman

AUTHOR: Thekla Clark
ISBN: 0231107064

SHORT DESCRIPTION: The first nuanced, personal portrait of Auden and Kallman's relationship of more than thirty years, Wystan and Chester opens a window on a central aspect of Auden's life that has been overlooked by most biographies and critical studies. In a...

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         Editorial Review

Wystan and Chester: A Personal Memoir of W. H. Auden and Chester Kallman
- Book Review,
by Thekla Clark

Amazon.com
Though Thekla Clark turned down a marriage proposal from W.H. Auden in the early 1950s, she remained close to the poet and his companion Chester Kallman until Auden's death in 1973. In memoir, Clark follows the lives of this unconventional couple, recalling their home on the Italian island of Ischia, their romps through Europe, and the more troubling times Auden spent in New York. While Kallman embraced his homosexuality and was campily outrageous, Auden was uncomfortable in his and became conservative and conventional. Despite their differences, or maybe because of them, their relationship endured--they met in 1939 and Kallman died less than two years after Auden, seemingly of a broken heart.

From Publishers Weekly
In 1951, Thekla Clark, a 24-year-old American from Oklahoma, sailed to Italy. On the island of Ischia in the bay of Naples, a family friend (the young poet Anthony Hecht) introduced her into a small circle of expatriates, at whose center were W.H. Auden and his companion, the librettist Chester Kallman. Clark became close friends with both men, and "The Visit," as she called it, became an annual summer ritual, first on Ischia and, after 1957, at Auden's house in Kirchstetten, Austria. Recounting particular incidents scattered over more than two decades, Clark casts light on the private lives of these two men as distinct individuals and as a couple. She describes Auden as a disciplined writer, passionate conversationalist and devoted friend who believed that "happiness, like grief, should be private" and who rejected Yeats's dictum that one must chose either "perfection of the life or of the work" with the remark that "perfection is possible in neither." While accepting his homosexuality, he nonetheless professed that homosexuality was wrong. Kallman comes across as a more unbuttoned character, an emotional man of much charm and considerable talent who was undone by his private demons. Clark writes frankly about Auden and Kallman's "extracurricular" affairs, their reliance on alcohol and Kallman's disintegration, but is never titillating or judgmental. Bringing considerable insight to bear on critical debate over the trajectory of Auden's career while defending Kallman's own creative work, this memoir is rich in personal vignettes. By turns humorous, ironic and poignant, Wystan and Chester is a valuable supplement to Humphrey Carpenter's 1982 Auden biography. Photos. Copyright 1996 Reed Business Information, Inc.

From Library Journal
Auden is almost always included in the pantheon of the greatest English-language poets of the 20th century, so almost anything written about him by those close to him is of interest to literary biographers and critics. The focus here is on the relationship between Auden and his friend, lover, and collaborator, Chester Kallman. The earlier Auden in Love by Kallman's stepmother is similar in the story it tells and in its disinterest in the poetry per se. What these books share is a thoughtful commentary on an intriguing romance of over 30 years. Clark's longtime friendship with both of them, which also lasted over 30 years, provides what one would expect?charming anecdotes, good characterizations, and affectionate memories. More than in most memoirs of literary figures, it gives a sense of the personalities and the affection between them. The immediacy of Clark's writing draws the reader into the circle even as it shows what a special group it was. Recommended for all collections concerned with 20th-century literature.?David S. Azzolina, Univ. of Pennsylvania Libs., PhiladelphiaCopyright 1996 Reed Business Information, Inc.

New York Times, Miranda Seymour
Ms. Clark is deft, convincing and immensely touching. A quiet deadpan humor saves her book from toppling into sentimentality.

From Kirkus Reviews
A fond but not uncritical backward glance at one of this century's most important poets and his companion. Clark, who set sail as a young Oklahoman in 1951 for a blithely reckless expatriate existence in Europe, first came to know the English Auden and his once and future sweetheart, American-born Kallman, first on the Italian island of Ischia. They remained fast friends. The satisfaction of Clark's brief but eventful reminiscence is twofold: She captures the unsteady, even giddy rhythms typical of many close friendships; and she offers an unabashedly opinionated double portrait of her two inimitable sidekicks. Some indulgently self-conscious nattering does creep into the writing (``Had they been halcyon days?'' Clark asks at one point). And she may enjoy describing herself too much: ``I was still wearing cotton gloves and was overly ware of the attention I was causing.'' Yet she is generally a vivid writer and a quick study. She follows the sometimes tormented progress of Auden and Kallman's long intimacy. Loyal to both in her ferreting, she seems able to present each man in enough detail to sidestep or thwart the legends and stereotypes that have sprung from them or been imposed on them. Both emerge as magnetic figures, crisscrossed by idiosyncrasy as if by wrinkles. Maybe it is the impromptu charm of the author that most buoys her story, unmarked by literary criticism, and alive with quoted conversation. ``Wystan was fascinated by female anatomy and the whole process of birth,'' she reports. `' `You are so fortunate to have all your reproductive organs inside you' he said, `not these ridiculous things I find attached to me as an afterthought.' He and I had long and detailed gynecological discussions, but we forbore from having them at table after one night Chester screamed, `Mercy!' '' A sweet, smart, witty character sketch. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.

Review
"[Clark's] portraits of both Auden and Kallman are truer, and, in a seemingly offhand manner, as penetrating as any of those by... other memoirist friends.... She perfectly catches the nuances and intonations of [their] voices, simply... by quoting them believably....Contributes richly to Auden folklore." -- Robert Craft, New York Review of Books

Robert Craft New York Review of Books
[Clark's] portraits of both Auden and Kallman are truer, and, in a seemingly offhand manner, as penetrating as any of those by . . . other memoirist friends. . . . She perfectly catches the nuances and intonations of [their] voices, simply . . . by quoting them believably. . . .Contributes richly to Auden folklore.


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         Book Review

Wystan and Chester: A Personal Memoir of W. H. Auden and Chester Kallman
- Book Reviews,
by Thekla Clark

Wystan and Chester: A Personal Memoir of W. H. Auden and Chester Kallman

FROM THE PUBLISHER

The first nuanced, personal portrait of Auden and Kallman's relationship of more than thirty years, Wystan and Chester opens a window on a central aspect of Auden's life that has been overlooked by most biographies and critical studies. In a series of witty, poignant, and occasionally disturbing vignettes, Clark recounts the artists at work and at play: the raucous, Bacchanalian dinner parties on Ischia and the quiet mornings of writing on the porch of their house in Kirchstetten, Austria. She chronicles the early years of their friendship, when Auden and Kallman became her young daughter Lisa's constant companions, and when their nurturing partnership helped to foster unparalleled creative output for both. Remembering also Kallman's steady decline in his later years, Clark paints a sympathetic picture of the talented and troubled artist and of Auden's abiding love for him. Clark's story is generously sprinkled with glimpses of Auden's eccentricities. She recollects his fascination with female anatomy and with the process of birth; his unusual mix of moral seriousness and intellectual frivolity; his love for church ritual and his conviction that homosexuality was wrong.

FROM THE CRITICS

Robert Craft

[Clark's] portraits of both Auden and Kallman are truer, and, in a seemingly offhand manner, as penetrating as any of those by . . . other memoirist friends. . . . She perfectly catches the nuances and intonations of [their] voices, simply . . . by quoting them believably. . . .Contributes richly to Auden folklore.

Publishers Weekly

In 1951, Thekla Clark, a 24-year-old American from Oklahoma, sailed to Italy. On the island of Ischia in the bay of Naples, a family friend (the young poet Anthony Hecht) introduced her into a small circle of expatriates, at whose center were W.H. Auden and his companion, the librettist Chester Kallman. Clark became close friends with both men, and "The Visit," as she called it, became an annual summer ritual, first on Ischia and, after 1957, at Auden's house in Kirchstetten, Austria. Recounting particular incidents scattered over more than two decades, Clark casts light on the private lives of these two men as distinct individuals and as a couple. She describes Auden as a disciplined writer, passionate conversationalist and devoted friend who believed that "happiness, like grief, should be private" and who rejected Yeats's dictum that one must chose either "perfection of the life or of the work" with the remark that "perfection is possible in neither." While accepting his homosexuality, he nonetheless professed that homosexuality was wrong. Kallman comes across as a more unbuttoned character, an emotional man of much charm and considerable talent who was undone by his private demons. Clark writes frankly about Auden and Kallman's "extracurricular" affairs, their reliance on alcohol and Kallman's disintegration, but is never titillating or judgmental. Bringing considerable insight to bear on critical debate over the trajectory of Auden's career while defending Kallman's own creative work, this memoir is rich in personal vignettes. By turns humorous, ironic and poignant, Wystan and Chester is a valuable supplement to Humphrey Carpenter's 1982 Auden biography. Photos. (Sept.)

Library Journal

Auden is almost always included in the pantheon of the greatest English-language poets of the 20th century, so almost anything written about him by those close to him is of interest to literary biographers and critics. The focus here is on the relationship between Auden and his friend, lover, and collaborator, Chester Kallman. The earlier Auden in Love by Kallman's stepmother is similar in the story it tells and in its disinterest in the poetry per se. What these books share is a thoughtful commentary on an intriguing romance of over 30 years. Clark's longtime friendship with both of them, which also lasted over 30 years, provides what one would expectcharming anecdotes, good characterizations, and affectionate memories. More than in most memoirs of literary figures, it gives a sense of the personalities and the affection between them. The immediacy of Clark's writing draws the reader into the circle even as it shows what a special group it was. Recommended for all collections concerned with 20th-century literature.David S. Azzolina, Univ. of Pennsylvania Libs., Philadelphia

Booknews

A chatty memoir recounting Clark's friendship with Auden and Kallman targets the partners for scrutiny from the 1950s on the island of Ischia to their life together in Austria. The 30 year relationship has its highs and lows, of course, exacerbated by the societal difficulties of being homosexual. Clark spotlights Auden's eccentricities, intellect, and both the creative and destructive life he shared with Kallman. Lacks an index and bibliography. An enclosed errata indicates that the ISBN number is printed incorrectly in the CIP data (the corrected number is shown above). Annotation c. by Book News, Inc., Portland, Or.

Miranda Seymour - New York Times Book Review

A graceful and remarkable book, one that nobody who cares about Audun can afford to ignore...Clark is deft, convincing, and immensely touching. Miranda Seymour, Read all 6 "From The Critics" >


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