Inventing Masks : Agency and History in the Art of the Central Pende

FROM THE PUBLISHER

Art historian Z.S. Strother spent nearly three years in Zaire studying Pende sculpture. Her research reveals the rich history and lively contemporary practice of Central Pende masquerade. INVENTING MASKS demonstrates, through firsthand accounts and lavish illustrations, how Central Pende masquerading is a contemporary art form with the main focus of representing perceived differences between male and female. 8 color plates. 104 halftones. 440 pp.

FROM THE CRITICS

Choice

Strother's flair for deep description, complemented by action-filled photographs from her thirty-two months of research among the Pende people of Congo/Kinshasa, allows readers vicarious participation in galvanizing spectacles. . . . Strother's greatest strength is in providing apt anecdotes, at once proving her friendship with Pende, her acute perception, and her skills as an engaging writer.

Library Journal

Masks play an important part in the life of the Pende, as with many Central African peoples. Strother has produced an in-depth scholarly study of Pende masquerade traditions, especially during and following the colonial experience. What makes the book notable is Strother's focus on creativity and the processes of artistic innovation, which the author contends have kept those masking customs vital. While much of the research is based on the contemporary situation, a precolonial and early-colonial art history is also incorporated as an important part of the study. Accompanying the text are many illustrations of both museum objects and field photos (varied in quality and mostly black and white), an appendix, and an extensive bibliography. The writing style and vocabulary is academic, so anyone but students of African art will find the book a difficult read. Highly recommended for academic libraries with interests in art history or African studies.Eugene C. Burt, Art Inst. of Seattle Lib.

Booknews

A study of the role of invention within African traditional art, based on interviews with mask-makers of the Central Pende of Zare. These artists describe a complex collaboration among song writers, drummers, and dancers that shapes the form of the contemporary practice of the masquerade, revealing the level of innovation present within genres. Discusses the Pende aesthetic system and its relation to other African aesthetic systems, traces the precolonial and colonial history of masquerades, and demonstrates that Central Pende masquerading is a contemporary art form responsive to 20th-century experience. Includes b&w and color photos. Annotation c. by Book News, Inc., Portland, Or.

WHAT PEOPLE ARE SAYING

Robert Farris Thompson