Romance of the Rose FROM THE PUBLISHER
Many English-speaking readers of the Roman de la rose, the famous dream allegory of the thirteenth century, have come to rely on Charles Dahlberg's elegant and precise translation of the Old French text. His line-by-line rendering in contemporary English is available again, this time in a third edition with an updated critical apparatus. Readers at all levels can continue to deepen their understanding of this rich tale about the Lover and his quest - against the admonishments of Reason and the obstacles set by Jealousy and Resistance - to pluck the fair Rose in the Enchanted Garden. The original introduction by Dahlberg remains an excellent overview of the work, covering such topics as the iconographic significance of the imagery and the use of irony in developing the central theme of love. His new preface reviews selected scholarship through 1990 and beyond, which examines, for example, the sources and influences, the two authors, the nature of the allegorical narrative as a genre, the use of first person, and the poem's early reception. The new bibliographic material incorporates that of the earlier editions. The sixty-four miniature illustrations from thirteenth- and fifteenth-century manuscripts are retained, as are the notes keyed to the Langlois edition, on which the translation is based.
SYNOPSIS
This is the first complete English translation of what may have been one of the most widely distributed works of literature in its time. It was begun by Guillaume de Lorris around 1237 as an allegory of courtly love, and continued around 1277 by Jean de Meun who's added lines (4,059 through 21,780) changed the poem into a satire on medieval lifeﾽespecially on women and marriage. Robbins taught at Bucknell University; Dunn at New York University. Annotation c. Book News, Inc., Portland, OR
FROM THE CRITICS
Booknews
This is the first complete English translation of what may have been one of the most widely distributed works of literature in its time. It was begun by Guillaume de Lorris around 1237 as an allegory of courtly love, and continued around 1277 by Jean de Meun who's added lines (4,059 through 21,780) changed the poem into a satire on medieval lifeespecially on women and marriage. Robbins taught at Bucknell University; Dunn at New York University. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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