Wilma Unlimited: How Wilma Rudolph Became the World's Fastest Woman ANNOTATION
A biography of the African-American woman who overcame crippling polio as a child to become the first woman to win three gold medals in track in a single Olympics.
FROM THE PUBLISHER
One of the most energetic kids in the town of Clarksville, Tenessee, Wilma loves to run and laugh and play with her nineteen older brothers and sisters. But before she's five years old, she gets very sick, and the doctor's news is not good: polio has paralyzed her left leg. Everyone says that Wilma will never walk again.
Wilma refuses to believe it. Not only will she walk again, she vows, she'll run. It takes years. It takes hard work. But at last she does run - across the basketball court, around the track, and eventually, all the way to the Olympic Games.
Wilma Rudolph's triumphant journey is the subject of Kathleen Krull's Wilma Unlimited, a true sory dramatically visualized in David Diaz's striking illustrations.
FROM THE CRITICS
Publishers Weekly
"No one expected such a tiny girl to have a first birthday," begins this inspiring biographical sketch of a legendary track stars. Born in 1940 in Tennessee, the chronically sickly though "lively" Rudolph contracted polio just before her fifth birthday. Though not expected to walk again, the fiercely determined girl persevered with her leg exercises; by the time she was 12, she no longer needed her steel brace. Eight years later, Rudolph represented the U.S. in the 1960 Olympics in Rome, where, despite a twisted ankle, she became the first American woman to win three gold medals during a single Olympic competition. Krull's (Lives of the Musicians) characteristic, conversational style serves her especially well here. Through her words the nearly superhuman Rudolph seems both personable and recognizable. Rendered in acrylic, watercolor and gouache, Caldecott Medalist Diaz's (Smoky Night) imposing, richly hued illustrations have a distinctive, cubist feel. The artist's bold design superimposes this art against sepia-toned photographs of relevant background images: playground sand, wooden fence slats, the gravel of a running track. This juxtaposition yields busy, effectively textured pages, flawed only by the text's curiously embellished font-the letters look as though they have been speckled with either ink blots or dust. A triumphant story, triumphantly relayed. Ages 7-12. (Apr.)
School Library Journal
K-Gr 5An athlete's determined efforts to succeed against all odds. The dynamic artwork is as fluid and vivacious as Rudolph herself. (June 1996)
Kirkus Reviews
Only after reading this book does the subtitle"How Wilma Rudolph Became the World's Fastest Woman"appear rife with understatement. In spite of a low birth weight and childhood bouts with scarlet fever and polio (the doctor said Wilma would never walk again) and after years of painful, relentless exercise, she not only walked, she ran: to college on scholarship, and to the Olympics, where she became the first American woman to win three gold medals in the same games. Krull (Lives of the Artists, 1995, etc.) tells the inspiring tale in rolling, oratorical prose; Diaz, coming off his Caldecott-winning work for Eve Bunting's Smoky Night (1994) again lays stylized painted scenes over textured background photoshere, sepia-toned close-ups of fences, ivy, and bare footprints in loose dirt. Though a mannered, blotchy typeface (also Diaz's creation) gives the pages an overly designed look, the book as a whole is a dramatic commemoration of quite a heroic life. Rudolph died in 1994; her post-Olympic accomplishments are described in an afterword.