Puppy Fat ANNOTATION
Keith worries about his separated parents and wants to improve their appearance so they will find new partners, but he realizes that he cannot change them into different people.
FROM THE PUBLISHER
In this sequel to Worry Warts and Misery Guts, Keith Shipley is still trying to bring happiness to his now-separated parents, this time by finding each of them a new partner.
FROM THE CRITICS
Publishers Weekly
Convinced that his separated parents have little chance of attracting new mates due to their advanced ages (36 and 37) and excess body fat, Keith, 13, the budding artist previously met in Misery Guts and Worry Warts, goes on an all-out campaign to make them over, or at least get them dates. His first effort-advertising them in realistic nude portraits at a school art exhibit-is spectacularly unsuccessful. And a mural with their idealized, swimsuit-clad figures on the side of a building in their South London neighborhood only causes the local travel agent to sell more beach holidays. But no matter: with his fearless best friend, Tracy, and her Aunty Bev, a Spandex-clad beautician, coming to visit from Australia, Keith figures he'll have his folks made over and dating in no time. However, things don't turn out as Keith had planned: Mum finds a boyfriend on her own; neither Dad's new look nor his romance with Bev suits him; and Bev is hounding Tracy mercilessly about getting fat. Everything comes out all right in the end, but not until Keith realizes that looks aren't everything. If the message Gleitzman conveys isn't wholly new, seldom has it been so gleefully and palatably presented. A punchy narrative, droll characters and original plot make this a real page-turner. Ages 8-12. (May)
Children's Literature - Judy Silverman
This book takes us back to London with Keith whose parents have decided that Australia was not for them. No matter what Keith does to try to cheer them up, they simply won't be cheered. And now they've decided to separate. When Keith's Australian friend, Tracy, comes to visit, she's got her own troubles and isn't as sympathetic as he hoped she'd be. This book is a good companion to the other two books about Keith-Misery Guts and Worry Warts. Jolly good reading and a good look at English kids.
School Library Journal
Gr 6-8Australian author Gleitzman sets this novel in London. Keith Shipley, introduced in Misery Guts and Worry Warts (both Harcourt, 1995) is a teen who worries that his recently separated parents are both letting their appearances go to the point that they will be unable to attract new mates. Feeling a sense of urgency about the situation, he begins a matchmaking campaign. Unbeknownst to Mum and Dad, he tries (unsuccessfully) to place personal ads for each of them and then turns to his artistic talents as a means of promoting them. Interlaced with the plot is a visit from Keith's best pal from Australia, Tracy, and her Aunty Bev. Both story lines seem wholly implausible. First of all, it is highly unlikely that a teenage boy would assume full responsibility for restoring his parents' love lives and happiness. Also, the means he uses to achieve his dreams are truly preposterous. Keith's hope that Tracy's arrival will jolly up his parents is as far-fetched as the brief liaison between Keith's slovenly fry-cook father and Tracy's fanatic health-nut aunt. A failed romantic comedy.Rosalyn Pierini, San Luis Obispo City-County Library, CA
Kirkus Reviews
In this third installment in a humorous series about the trials of worrier Keith Shipley (Misery Guts, 1993, etc.), he is now concerned about his divorced parents. They mope around their houses, out of shape and uninterested in making themselves attractive. Keith embarks on a series of creative but ineffective schemes to shape them up, culminating in the visit of his best friend, Tracy, and her aunt. Aunt Bev is making Tracy wretched with her obsession with dieting and cosmetic surgery. When she goes to work on Keith's parents, he feels the need, once again, to take matters into his own hands. Gleitzman's genius for endearingly quirky protagonists more than makes up for the far-fetched story. Keith, genuinely selfless, spends all of his time attempting to make everyone else's life perfect. His complete incompetence deters him not at all, nor will it deter readers from enjoying his increasingly grandiose, inevitably doomed, schemes. Absurdly funny stuff.