On Literature FROM THE PUBLISHER
In this collection of essays and addresses delivered over the course of his career, Umberto Eco seeks "to understand the chemistry of [his] passion" for the word. From musings on Ptolemy and "the force of the false" to reflections on the experimental writing of Borges and Joyce, Eco's encyclopedic knowledge is on display throughout.
SYNOPSIS
Eco, freely admitting that he is responding to the themes of the symposium or conference in question, writes about symbolism, style, and function in literature, intertextual irony, three generations of anti-Americanism, paradox in Wilde, obsession in Joyce, and the political implications of the behavior of Ringo in 1939's Stagecoach. One comes to understand his mind is something like the library-maze in The Name of the Rose before blazes consumed it. He reveals his methods of stocking that library by meticulously researching and inventing the worlds about which he writes. His only deadline (and superstition about his writing) is that he must complete the manuscript by 5 January, his birthday. Any year will do. Annotation ©2004 Book News, Inc., Portland, OR
FROM THE CRITICS
Library Journal
Like Dirda, Eco the semiotics professor who launched his career as a novelist with the phenomenal best seller The Name of the Rose gets to talk about writers he loves, e.g., Ptolemy, Borges, and Joyce. Copyright 2004 Reed Business Information.
AUTHOR DESCRIPTION
Umberto Eco is a professor of semiotics at the University of Bologna and the bestselling author of Baudolino, The Name of the Rose, and numerous novels and essays. He lives in Milan.
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