Live and Let Die FROM THE PUBLISHER
Beautiful, fortune-telling Solitaire is the prisoner (and tool) of Mr. Big - master of fear, artist in crime, and Voodoo Baron of Death. James Bond has no time for superstition - he knows that Big is also a top SMERSH operative and a real threat. More than that, after tracking him through the jazz joints of Harlem to the Everglades and on the Caribbean, 007 has realized that Mr. Big is one of the most dangerous men that he has ever faced. And no one, not even the enigmatic Solitaire, can be sure how their battle of wills is going to end.
FROM THE CRITICS
AudioFile
[Editor's Note: The following is a combined review with GOLDFINGER and DR. NO.]Through the filter of modern sensitivities, the James Bond adventures of Ian Fleming appear to be racist, sexist, overflowing with nicotine and alcohol, and melodramatic. But exchange that filter with one of historical perspective, and one finds oneself in a delightful romp out of time. Robert Whitfield's polished voice is an enchanting accompaniment to Fleming's exotic settings and stories. His English accent is as smooth as a dry martinishaken not stirredand he slips into other accents (West Indian and African American in LIVE & LET DIE, German in GOLDFINGER, and Chinese in DR. NO) as easily as the fictional 007 slips out of a dangerous situation and into the bed of a beautiful woman. Listening to these unabridged novels is more subtle than watching the films, but ultimately more rewarding. S.E.S. (c) AudioFile 2002, Portland, Maine