The Portable Sixties Reader FROM THE PUBLISHER
From civil rights to free love, JFK to LSD, Woodstock to the Moonwalk, the Sixties was a time of change, political unrest, and radical experiments in the arts, sexuality, and personal identity. In this anthology of more than one hundred selections of essays, poetry, and fiction by some of America's most gifted writers, Ann Charters sketches the unfolding of this most turbulent decade.
The Portable Sixties Reader is organized into thematic chapters, from the Civil Rights movement to the Anti-Vietnam movement, the Free Speech movement, the Counterculture movement, drugs and the movement into Inner Space, the Beats and other fringe literary movements, the Black Arts movement, the Women's movement, and the Environmental movement. The concluding chapter, "Elegies for the Sixties," offers tributes to ten figures whose lives-and deaths-captured the spirit of the decade.
Edited with an introduction by Ann Charters
About the Author:Ann Charters has had a forty-year involvement in reading, collecting, and writing about the literature of the Counterculture. She edited The Portable Beat Reader, The Portable Jack Kerouac, two volumes of Kerouac's Selected Letters and Beat Down to Your Soul.
SYNOPSIS
Compiled by a lifelong scholar of the Beat generation, this anthology contains excerpts from essays, speeches, poetry, and fiction representative of the American counterculture of the 1960s. Included are the words of Allen Ginsberg on conducting a demonstration, Gloria Steinem on unlearning sexism, and Malcolm X on fighting for voting rights. The volume concludes with a selection of ten elegies, including Archibald MacLeish's "Hemingway" and a poem for Janis Joplin by Marilyn Hacker. Annotation (c)2003 Book News, Inc., Portland, OR
FROM THE CRITICS
San Francisco Chronicle
A compulsively readable collection.
Seattle Times
Absorbing...a collection to be read...seething with emotion and urgency...
Kirkus Reviews
Kerouac biographer and veteran anthologist Charters (The Portable Beat Reader, not reviewed, etc.) successfully conveys the atmosphere of the 1960s for those who lived through it, and those who did not. The four-page preface clearly explains her choices. Charters, who came of age during the 1960s, concedes that some of the pieces are very personal, meant to reflect her intense emotional and intellectual experiences. The selections and omissions are determined to some extent by the ten topical sections: civil rights, war resistance, free speech, the counterculture (largely in music as rendered here), mind-altering drugs, Beat literature, African-American arts, the women's movement (especially the sexual revolution), environmental protection, and "elegies" (portraits of ten people who died during the decade). Charters (English/Univ. of Connecticut) gives short shrift to innovative pieces of narrative journalism--Tom Wolfe, Gay Talese, Joan Didion, Truman Capote are all excluded--but otherwise her choices seem unarguable. The introductions to each selection provide pertinent context, which is especially important because many of the selections are excerpts from books. A 25-page chronology of the decade will prove useful for those born after 1960, as well as offering forgotten tidbits for middle-aged and elderly readers.