Amazon.com
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park
From Publishers Weekly
This uncensored translation of Bulgakov's posthumously published masterpiece of black magic and black humor restores its sliest digs and sharpest jabs at Stalin's regime, which suppressed it. Writing in a punning, soaring prose thick with contemporary historical references and political irony, Bulgakov (1891-1940) did not make things easy for future translators. The story itself is demanding: the arrival of the Devil and his entourage in Stalin's Moscow frames a Faustian tale of a suppressed writer (the Master) and his devoted lover (his Margarita), set against a realistic narrative?the Master's rejected manuscript?of Pontius Pilate's police state in Jerusalem. An immediate contemporary classic when it was first serialized in Moscow in censored form in 1967-68, the novel suffered in its previous English translations, which were either incomplete or stylistically loose. This new translation, with its accuracy and depth, finally does justice to the politically and verbally outrageous qualities of the original. Careful footnotes explain and contextualize Bulgakov's dense allusions to, and in-jokes about, life under Stalin. Copyright 1995 Reed Business Information, Inc.
From Library Journal
This annotated version of Bulgakov's 1966 novel in which the devil pays a visit to Moscow is translated from the most accurate Russian sources. This edition also contains notes on the text.Copyright 1995 Reed Business Information, Inc.
The Chicago Tribune
The Master and Margarita has at last been translated accurately and completely.... The book is by turns hilarious, mysterious, contemplative and poignant. A great work.
Book Description
Mikhail Bulgakov's devastating satire of Soviet life was written during the darkest period of Stalin's regime. Combining two distinct yet interwoven parts-one set in ancient Jerusalem, one in contemporary Moscow-the novel veers from moods of wild theatricality with violent storms, vampire attacks, and a Satanic ball; to such somber scenes as the meeting of Pilate and Yeshua, and the murder of Judas in the moonlit garden of Gethsemane; to the substanceless, circus-like reality of Moscow. Its central characters, Woland (Satan) and his retinue-including the vodka-drinking, black cat, Behemoth; the poet, Ivan Homeless; Pontius Pilate; and a writer known only as The Master, and his passionate companion, Margarita-exist in a world that blends fantasy and chilling realism, an artful collage of grostesqueries, dark comedy, and timeless ethical questions.
Although completed in 1940, The Master and Margarita was not published in Moscow until 1966, when the first part appeared in the magazine Moskva. It was an immediate and enduring success: Audiences responded with great enthusiasm to its expression of artistic and spiritual freedom. This new translation has been created from the complete and unabridged Russian texts.
Language Notes
Text: English (translation)
Original Language: Russian
The Merriam-Webster Encyclopedia of Literature
Novel written by Mikhail Bulgakov in the 1930s and published as Master i Margarita in a censored form in the Soviet Union in 1966-67. The unexpurgated version was published by the Soviets in 1973. It is considered a 20th-century masterpiece. The novel is witty and ribald, and at the same time a penetrating philosophical work that wrestles with profound and eternal problems of good and evil. It juxtaposes two planes of action--one set in Moscow in the 1930s and the other in Jerusalem at the time of Christ. The three central characters of the contemporary plot are the Devil, disguised as one Professor Woland; the "Master," a repressed novelist; and Margarita, who, though married to a bureaucrat, loves the Master. The Master has burned his manuscript and gone willingly into a psychiatric ward when critics attacked his work--a portrayal of the story of Jesus. Margarita sells her soul to the Devil in order to obtain the Master's release from the psychiatric ward. A parallel plot presents the action of the Master's destroyed novel, the condemnation of Yeshua (Jesus) in Jerusalem.
From the Publisher
This is the first translation of the most complete text of Bulgakov's exuberant comic masterpiece, and the first annotated edition.
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