Some Kind of Miracle: A Novel FROM THE PUBLISHER
Cousins Dahlia and Sunny Gordon were best friends growing up, bound by a shared love for making music that was as pure, powerful, and radiant as the California sunshine. When Dahlia's soulful lyrics combined with Sunny's soaring melodies, magic happened, and they promised they would stick together all the way to the top. But a darkness was already descending on Sunny, one that would ultimately plunge her into a nightmare of solitude and schizophrenia. And after their lives were torn apart, a quarter of a century would pass before the cousins would meet again.
After long years of fruitless struggle, Dahlia still dreams of making it in the L.A. music business, a dream that comes to rest on one song. A lucky break has brought a composition she and Sunny wrote long ago to the attention of a powerful Hollywood producer. Desperate for success, Dahlia must find her cousin in order to secure the rights to the song that will win her fame and great fortune.
But the world Sunny Gordon now inhabits is a place of madness and despair, and her obstinate refusal to sign a contract only infuriates Dahlia and strengthens her resolve. There are no depths Dahlia will not sink to in order to get what she wants - even if it means moving her tragically damaged cousin, demons and all, into her own home.
FROM THE CRITICS
Publishers Weekly
In this show-biz drama by the author of Beaches, two first cousins and former best friends rekindle their friendship while struggling with questions of mental illness, genius and personal integrity. As teenagers, Sunny and Dahlia Gordon created an intense bond though a shared love of music. Sunny, five years older than Dahlia, is the wilder and by far the more creative of the two, and her talent inspires Dahlia to write lyrics. Their music is good, and their friendship singular, but when Sunny's eccentricities devolve into a dangerous mental illness and her well-meaning family can no longer cope with her, she is placed in a mental institution. The cousins lose contact with each other until 25 years later, when Dahlia is living in Los Angeles and earning a living as a masseuse while trying to sell her songs. Possessed of an ambitious pragmatism that allows her to slide easily into ethical lapses, Dahlia reconnects with Sunny, who is living in a halfway house in San Diego, in order to get a song out of her. From this point on, the women are together again, each helping the other find her way out of desperate situations. Dart keeps the story moving at a fast clip with generous helpings of weddings, funerals, sing-alongs and spontaneous disrobings of the (gorgeous) Sunny. These made-for-the-movies moments are balanced by Dahlia's acerbic wit, making this an entertaining if formulaic read. (Nov.) Copyright 2003 Reed Business Information.
Library Journal
Los Angeles masseuse and songwriter Dahlia Green has a rickety van and a house in disrepair. Years ago, she co-wrote a big hit, but the money isn't coming in as it once did. In reality, Dahlia is a talented lyricist who doesn't write music very well. She used to work with her cousin Sunny, a schizophrenic composer whom she hasn't seen in 25 years. When Dahlia has an opportunity to sell one of their old songs, she suddenly needs to find Sunny and get her to sign a contract. But ravaged by her mental illness, Sunny is stubbornly difficult, and Dahlia fears that her dreams of money pouring in will come to nothing unless she passes the songs off as her own. The author of Beaches has written a compelling tale about mental illness and how greed and selfishness can threaten relationships with family, friends, and lovers. This immensely readable work is highly recommended for all popular fiction collections. [Previewed in Prepub Alert, LJ 8/03.]-Samantha J. Gust, Niagara Univ. Lib., NY Copyright 2003 Reed Business Information.
Kirkus Reviews
Songwriter seeks schizophrenic cousin. Object: fame and fortune. Just because Dahlia Green makes a living (sort of) as a masseuse doesn't mean she's a failure in status-obsessed Los Angeles. Not yet. Hey, didn't her least favorite client, obnoxious but rich slob and film producer Marty Melman, say he was making a movie with the same title as a song she wrote decades ago with her crazy cousin Sunny? Stay By My Side, it was called. And since Marty needs a song for the movie and can spare five minutes of his valuable time to listen to it, Dahlia is off to find that old tape, if the mice haven't eaten it. And if she can locate an old reel-to-reel to play it on. And come to think of it, she'd better track down Sunny. Joy of joys, Marty likes the song, but Sunny will have to sign the contract if he's going to use it. Can't have her showing up and suing for damages, get the picture? Dahlia gets it . . . and she's off to a group home for the mentally ill in northern California. Horror of horrors, is that sad-looking woman with the bizarre hairdo really Sunny? Yes . . . and she's none too pleased about being found. What about fame and fortune? Dahlia asks. What about the voices in my head? Sunny responds. Nonetheless, Dahlia decides to gain her cousin's trust and encourage her to write and sing once more, though Sunny is given to decidedly uninspired philosophizing on the subject: "Great songs come from you really, truly telling your story, and if you tell your story, you tell everyone else's story, too. Because in the end people are all the same." And in the end, Tin Pan Alley turns into Memory Lane as the reunited pair come to terms with their past (and their present and their future). Routinefare, from the author of When I Fall In Love (1999) and similar showbiz tear-jerkers. Agent: Elaine Markson/Elaine Markson Agency