Circle of Three: A Novel

Amazon.com
Patricia Gaffney's remarkable talent for describing the bittersweet connections between mothers and daughters makes the novel Circle of Three a mesmerizing study of three generations of women challenged by their shifting relationships and developing self-identities. With her ability to capture the essence of the timeless conflict of mothers' and daughters' various hopes and frustrations and the overall need for an intense connection with family, Gaffney's novel will appeal to readers of many ages.

The lives of grandmother Dana, mother Carrie, and daughter Ruth are instantly altered by the untimely death of Carrie's husband, Stephen. Having recently returned to her hometown in rural Virginia, Carrie had just begun to recognize and express her dissatisfaction in her bland marriage. Stephen's death tips Carrie into a deep depression, and 15-year-old Ruth feels as if she has lost both her mother and her father. Determined to get Carrie back on track, Dana encourages her to accept a job. As Carrie begins to emerge from her depression, she finds solace in the company of her old flame, Jess, and her work as a wooden menagerie designer for a local religious group called the Arkists. When Carrie refuses to return to her old patterns, both Ruth and Dana struggle to adapt to this change and develop their own new approaches to life.

With moments of quirky humor, realistic dialogue, and classic romance, Circle of Three does a tremendous job of describing the complex and conflicting process of growing up--at any age. This novel is sure to linger in your mind for months and to make the lending rounds between moms, daughters, sisters, and friends. --Nancy R.E. O'Brien


From Publishers Weekly
Three generations of small-town Virginia womenAtroubled teen Ruth Van Allen, her equally insecure mother, Carrie Van Allen, and bossy grandmother Dana DanzigerAstruggle to overcome personal problems and self-absorption to grow closer as a family in Gaffney's sweepingly sentimental novel. When Carrie's unfeeling husband Stephen suddenly dies of a heart attack, she desperately wants to bounce back into the arms of divorced farmer Jess Deeping, her conveniently available high school sweetheart. Problem is, Dana never approved of this once wild boy whose rough and rural upbringing reminds her too much of the verbally abusive country home she tried so hard to escape by marrying spineless academic George. Dana also harrumphs Carrie's interest in helping Jess reproduce a miniature Noah's Ark to honor the request of dying Arkist religious cult member Eldon Pletcher. Nevertheless, early on in this sprawling book it becomes clear that, after much flaky deliberation, Carrie will get a second chance with the man she's always loved. Meanwhile, Ruth is experimenting with a perpetually stoned boyfriend and a job at a health-food store, and trying to get over the shock of her father's death. Gaffney (The Saving Graces) relies too heavily on stale pop cultural references and language in telling Ruth's story, and male characters take a lot of abuse in this female-centric drama. Nevertheless, she turns out some resonant scenes, including one in which steely grandma Dana finally admits to an addiction. Though handicapped by transparent characterizations and poor pacing, the novel offers a reliable if predictable emotional roller-coaster ride. Literary Guild/Doubleday Book Club selection. (June) Copyright 2000 Reed Business Information, Inc.


From Library Journal
The latest novel from Gaffney (The Saving Graces) follows three generations of women through one tumultuous year. The book centers on recently widowed Carrie, who sees the grieving process as a chance to reinvent herself. But for Ruth, her 15-year-old daughter, it simply precipitates the onset of parent/child separation. Dana, Carrie's 70-year-old mother, isn't grieving; she's too busy trying to direct her daughter's life. Each chapter unfolds from a different first-person perspective, and the result is choppy and superficial. The chapters follow chronologically, but there is little sense of time passing, even though time is so critical to the grieving process. Angst-ridden Ruth is realistically drawn, but the character of Dana is wasted. Because Carrie, the main attraction, views herself as wimpy, her sections are dull. Ultimately, she undergoes little true character development, merely finding a new man to replace the old one rather than developing inner strength. Public libraries should purchase on demand.-AJodi L. Israel, MLS, Jamaica Plain, MA Copyright 2000 Reed Business Information, Inc.


From AudioFile
Carrie van Allen didn't really lose her husband when he died in a car accident--he had been emotionally lost to her years before. Her relationship with her mother has faded as well, and now Carrie's daughter, Ruth, embarks on the rebellious parting that characterizes puberty. Dean Robertson portrays all three generations with sympathy and understanding, as each woman speaks chapters in her own voice. Robertson is equally convincing as an overbearing 70-year-old and an obnoxious, self-absorbed, sad, and scared teenager. Her 40-something widow aches with loneliness, regret, dignity, and hope. Identical piano interludes announce the end of each tape, and together Robertson and Gaffney compassionately and convincingly help these three women find their way back to each other. R.P.L. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine


From Booklist
In her latest offering, Gaffney, author of The Saving Graces , explores the effects, both good and bad, that mothers and daughters have on each other. When Carrie and Stephen move back to the small Virginia college town that she couldn't wait to escape, she realizes that it was her mother and not the town that she needed to leave. She's not altogether happy with her marriage, either, and starts an argument with her husband in the car just to get a reaction, but his response is far more dramatic than she intended: he has a fatal heart attack. As Carrie struggles to support herself and her teenage daughter, Ruth, she reflects on her life and sees that she married a man as remote as her father out of her lifelong habit of seeking her mother's approval, which induced her to give up Jess, her one true love, when her mother objected to their relationship. Ruth remains her only solace, until Jess reenters her life by asking her to help him help a neighbor who has formed a religious group called the Arkists who want to build a replica of Noah's ark. Carrie agrees, and becomes romantically involved with Jess once again, but this time around Ruth disapproves, thus bringing all three generations of women full circle. Gaffney has each woman narrate in turn, providing added dimension to this poignant story of growing up and growing old. Patty Engelmann
Copyright © American Library Association. All rights reserved


Harrisburg Patriot News
"Get acquainted with the work of this gifted writer. Gaffney's a great storyteller with insight into the lives of women."


New Orleans Times-Picayune
"Gaffney's depictions of female friendships are right on the mark."


Nora Roberts
"Circle of Three reminds us what it's like to be a woman."


Nora Roberts
With insight and humor and heart, Patricia Gaffney tells the story of three generations of women. Gaffney skillfully blends all the notes of emotions, all the joys and frustrations of this cast of delightfully human characters into a complex love song that celebrates the colors and textures of what it's like to have a mother and a daughter while struggling to be a mother and a daughter. And most of all, Circle of Three reminds us what it's like be a woman.


Book Description
Newly widowed, Carrie is overwhelmed by the guilt of knowing her marriage died long before her husband's fatal heart attack. Struggling to go on for the sake of her teenaged daughter, Ruth, and her overly possessive mother, Dana, Carrie slowly emerges from the sorrow that has embraced her and begins to pull her life together, with help from an unexpected source. Jess, Carrie's first love, re-enters her world and offers her the lifeline that will help her pull herself out of the drowning place she's been in.Inspired with new purpose, and a passion she thought she'd never have again, Carrie must find a way to weave her new life -- and love -- into a family struggling with their own pain and disappointment, who find her newfound happiness a threat to their own precarious balance.Wise, moving, and heartbreakingly real, Circle of Three offers women a deeper understanding of one another, of themselves, and of the perplexing and invigorating magic that is life itself.


Download Description
E-Book Extra: Afterword by Patricia Gaffney: "A Woman Is Her Mother" A new widow, Carrie is overwhelmed by the guilt of knowing her passion died long before her husband. But she must struggle to go on - for her teenaged daughter and possessive mother. Re-enter Jess, Carrie's first love, and only hope. Newly widowed, Carrie is overwhelmed by the guilt of knowing her marriage died long before her husband's fatal heart attack. Struggling to go on for the sake of her teenaged daughter, Ruth, and her overly possessive mother, Dana, Carrie slowly emerges from the sorrow that has embraced her and begins to pull her life together, with help from an unexpected source. Jess, Carrie's first love, re-enters her world and offers her the lifeline that will help her pull herself out of the drowning place she's been in. Inspired with new purpose, and a passion she thought she'd never have again, Carrie must find a way to weave her new life - and love - into a family struggling with their own pain and disappointment, who find her newfound happiness a threat to their own precarious balance. Wise, moving, and heartbreakingly real, Circle of Three offers women a deeper understanding of one another, of themselves, and of the perplexing and invigorating magic that is life itself.


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Carrie van Allen didn't really lose her husband when he died in a car accident—he had been emotionally lost to her years before. Her relationship with her mother has faded as well, and now Carrie's daughter, Ruth, embarks on the rebellious parting that characterizes puberty. Dean Robertson portrays all three generations with sympathy and understanding, as each woman speaks chapters in her own voice. Robertson is equally convincing as an overbearing 70-year-old and an obnoxious, self-absorbed, sad, and scared teenager. Her 40-something widow aches with loneliness, regret, dignity, and hope. Identical piano interludes announce the end of each tape, and together Robertson and Gaffney compassionately and convincingly help these three women find their way back to each other. R.P.L. © AudioFile 2001, Portland, Maine Read all 6 "From The Critics" >


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