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The Scourge of God

AUTHOR: William Dietrich
ISBN: 006073499X

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         Editorial Review

The Scourge of God
- Book Review,
by William Dietrich

From Publishers Weekly
Set in the dark final days of the Roman Empire, Dietrich's rousing fifth novel (after Hadrian's Wall, etc.) chronicles the bid of the charismatic Attila the Hun to conquer the West and dominate all of Europe. Standing in his way are the crumbling vestiges of the Roman Empire, now divided between West (Rome) and East (Constantinople) and still struggling with the adoption of Christian faith. The story of Attila's western march is given additional human dimension by a romance between Jonas Alabanda, a scribe assigned to an embassy mission to Attila from Theodosius II, emperor of the Eastern Empire, and Ilana, a gorgeous Roman taken by the Huns as a slave. Because of a foiled Roman plot to assassinate Attila, Jonas finds himself held hostage, but with the aid of a cunning and intrepid dwarf jester, Zerco, he manages to steal a legendary giant sword and upset Attila's plans and fortunes long enough for the Roman general Aetius to assemble the Germanic tribes into an effective defense force. Because the period is comparatively undocumented, the historical background is somewhat thin, and the standard-issue romance doesn't quite fill in the blanks. Still, the story unfolds swiftly and satisfyingly, and the confusing array of tribes and leaders are deftly presented--no mean feat. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Life was not secure for citizens of the Roman Empire in the mid-fifth century, who had reason to fear the "scourge of God," as Attila the Hun was called. A canny leader and warrior, Attila had his forces destroy everything in his path as he set out to conquer both eastern and western Roman empires. Dietrich (Hadrian's Wall, 2004) hews strongly to historical fact, providing a cast of characters and map of the period, adding just three fictitious characters to his primary cast: Jonas Alabanda, a Roman historian and diplomat from Constantinople; Ilana, a Roman who loses father, home in Axiopolis, and fiance to the Huns, who take her hostage; and Skilla, a Hun soldier and nephew of warlord Edeco. Their personal relationships help connect the actual events of the time and add humanity to them. Dietrich vividly describes treachery, betrayals, assassination attempts, executions, and battles, culminating in the almost incomprehensibly massive and bloody Battle of Chalons, in 451 A.D. Michele Leber
Copyright © American Library Association. All rights reserved

Library Journal
"Dietrich has written a wonderful book...Excellent and highly recommended."

Book Description

After decades of assault by barbarian tribes, Rome is weakening and in danger of being overrun. By a.d. 449, Attila, ruler of the Huns, has become Europe's most powerful monarch, his ferocity earning him the title "the Scourge of God." Now he is poised to assault the West.

It begins with an illicit affair. Honoria, sister of Valentinian III, emperor of the Western Roman Empire, creates a scandal when she is discovered in bed with her steward. Imprisoned for her indiscretion, Honoria sees the instrument of her deliverance in the form of the most feared warrior in the known world -- Attila. Desperate, she dispatches a messenger to the leader of the Huns, asking for his aid. Taking the entreaty as a marriage proposal, Attila begins to mass his forces to claim the half of the Roman Empire he feels should be his dowry, thus setting in motion the engines of war.

Fearing that open war with the ferocious Huns could destroy the empire, the Romans seek a clandestine solution. Dispatching a group of ambassadors to Attila's camp under the guise of seeking a diplomatic accord, the Roman leadership intends instead to corrupt one of Attila's lieutenants into an assassin, eliminating the threat by murdering the Hun leader.

Jonas, an ambitious intellectual, joins the party as its historian. But when the plot is discovered, he becomes much more. Taken hostage by the Huns, Jonas realizes that it will require all his skills in diplomacy, and some newfound skills with the sword, to survive. But survival isn't his only concern. Within the Hun camp he encounters Ilana, a Roman beauty imprisoned by the Huns and promised to one of their warriors. To attempt an escape alone would be foolhardy. To combine it with a rescue would be suicide. But Jonas knows he cannot leave the camp without Ilana, even if his devotion costs him his life.

As Jonas plans his escape, he seizes what could be a crucial element in the coming war between Rome and the Huns. Now his life isn't the only thing at stake. To save the empire and Ilana, Jonas must bring warning and an ancient sword to prepare Rome for the biggest battle in history, in which two vast armies will clash to determine the future of Western civilization.


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         Book Review

The Scourge of God
- Book Reviews,
by William Dietrich

The Scourge of God

FROM THE CRITICS

Publishers Weekly

Set in the dark final days of the Roman Empire, Dietrich's rousing fifth novel (after Hadrian's Wall, etc.) chronicles the bid of the charismatic Attila the Hun to conquer the West and dominate all of Europe. Standing in his way are the crumbling vestiges of the Roman Empire, now divided between West (Rome) and East (Constantinople) and still struggling with the adoption of Christian faith. The story of Attila's western march is given additional human dimension by a romance between Jonas Alabanda, a scribe assigned to an embassy mission to Attila from Theodosius II, emperor of the Eastern Empire, and Ilana, a gorgeous Roman taken by the Huns as a slave. Because of a foiled Roman plot to assassinate Attila, Jonas finds himself held hostage, but with the aid of a cunning and intrepid dwarf jester, Zerco, he manages to steal a legendary giant sword and upset Attila's plans and fortunes long enough for the Roman general Aetius to assemble the Germanic tribes into an effective defense force. Because the period is comparatively undocumented, the historical background is somewhat thin, and the standard-issue romance doesn't quite fill in the blanks. Still, the story unfolds swiftly and satisfyingly, and the confusing array of tribes and leaders are deftly presented-no mean feat. Agent, Andrew Stuart. (Mar. 18) Copyright 2005 Reed Business Information.

Kirkus Reviews

A military juggernaut stands poised to conquer Europe, and it seems nothing can stop it. The year: 451. At its head is Attila the Hun, so feared that the Roman Empire, shaking in its boots, has been shipping him annual payoffs just so he'll leave them reasonably intact. But extortion is becoming unbearably expensive. What, then, are the alternatives? Diplomacy? Absurd. The Hun can neither read nor write, much less grasp the subtleties of a proper negotiation. What the Hun can do is butcher, shoot arrows over incredible distances with jaw-dropping accuracy, and ride pell-mell through Roman streets, "contemptuous of anyone slow enough to be trampled over." If not diplomacy, how about treachery? To Emperor Valentinian and the rest of the Roman high command, that seems not merely sensible but viable. A plan is hatched: An imperial embassy will journey to Attila's lair in far-off Hunuguri, ostensibly to parlay about the amount of the current year's tribute. In reality, however, assassination is the object of the mission, since the Romans believe they have successfully corrupted a Hun lieutenant who can get close enough to Attila to be his Brutus. Joining the embassy-though ignorant of its darker aspects-is Jonas Alabanda, young, brave and callow. His fortunes are at a low ebb and his self-esteem lower still-thanks to Olivia having "discarded him like an old sandal" in favor of a richer suitor-so he's signed on eagerly as embassy scribe and historian. In rough and ready Hunuguri, Jonas will lose his innocence, fall in love, best his enemies and, temporarily at least, help preserve the Roman Empire. As always, Dietrich (Hadrian's Wall, 2004, etc.) has a firm grip on setting, but his cast isstandard issue for historical fiction-especially his underimagined, surprisingly pallid Attila, who couldn't scourge his way out of a paper bag.


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