The Rescue Artist : A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece

From Publishers Weekly
The little-known world of art theft is compellingly portrayed in Dolnick's account of the 1994 theft and recovery of Edvard Munch's iconic painting The Scream. The theft was carried out with almost comical ease at Norway's National Gallery in Oslo on the very morning that the Winter Olympics began in that city. Despite the low-tech nature of the crime, the local police were baffled, and Dolnick (Down the Great Unknown; Madness on the Couch) makes a convincing case that the fortunate resolution of the investigation was almost exclusively due to the expertise, ingenuity and daring of the "rescue artist" of the title: Charley Hill, a Scotland Yard undercover officer and former Fulbright scholar who has made recovering stolen art treasures his life's work. Hill is a larger-than-life figure who seems lifted from the pages of Elmore Leonard, although his adversaries in this inquiry are fairly pedestrian. While the path to the painting's retrieval is relatively straightforward once some shady characters put the word out that they can get their hands on it, the narrative's frequent detours to other crimes and engaging escapades from Hill's past elevate this work above last year's similar The Irish Game by Matthew Hart. 16 pages of b&w and 8 pages of color photos not seen by PW. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

—Gerard O’Neill, co-author of Black Mass: The Irish Mob, the FBI, and a Devil’s Deal on The Rescue Artist
"A fast-paced and beautifully written romp through the world of big-time art crime....A rollicking good ride."

—Mary Roach, author of Stiff: The Curious Lives of Human Cadavers on The Rescue Artist
"The Rescue Artist is a masterpiece. Engrossing, entertaining, often surreally hilarious."

—Arthur Golden, author of Memoirs of a Geisha
"Outstanding...fascinating, expertly told, with characters as crisply-drawn as any Rembrandt, and...intrigue...found only in a thriller."

—Publishers Weekly
"The narrative’s frequent detours to other crimes and engaging escapades...elevate this work above last year’s similar The Irish Game."


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The little-known world of art theft is compellingly portrayed in Dolnick's account of the 1994 theft and recovery of Edvard Munch's iconic painting The Scream. The theft was carried out with almost comical ease at Norway's National Gallery in Oslo on the very morning that the Winter Olympics began in that city. Despite the low-tech nature of the crime, the local police were baffled, and Dolnick (Down the Great Unknown; Madness on the Couch) makes a convincing case that the fortunate resolution of the investigation was almost exclusively due to the expertise, ingenuity and daring of the "rescue artist" of the title: Charley Hill, a Scotland Yard undercover officer and former Fulbright scholar who has made recovering stolen art treasures his life's work. Hill is a larger-than-life figure who seems lifted from the pages of Elmore Leonard, although his adversaries in this inquiry are fairly pedestrian. While the path to the painting's retrieval is relatively straightforward once some shady characters put the word out that they can get their hands on it, the narrative's frequent detours to other crimes and engaging escapades from Hill's past elevate this work above last year's similar The Irish Game by Matthew Hart. 16 pages of b&w and 8 pages of color photos not seen by PW. Agent, Rafe Sagalyn. (July 1) Copyright 2005 Reed Business Information.


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