The Man Who Outgrew His Prison Cell: Confessions of a Bank Robber FROM THE PUBLISHER
Growing up in a devoutly religious family with a father who believed in firm discipline and who was also studying for a Protestant ministry, Joe Loya Jr. seemed a blessed child. When he was seven, however, his life was drastically altered when his mother was diagnosed with a terminal illness. During the two years that led to her death, Joe's pious and studious father became more and more violent, brutally beating his two young sons. This contradiction haunted Joe for years until one day, at age sixteen, during a particularly severe beating, he finally retaliated and stabbed his father in the neck.
For Joe, this was the starting point of a life of crime: petty theft, forgery, fraud, and ultimately, bank robbery. When Joe was finally arrested after holding up his twenty-fourth bank, he was sent to prison, where he would serve seven years. In prison, his criminal behavior only got worse, as he began to deal drugs, smuggle weapons, and even assault fellow prisoners, until he was placed in solitary confinement, the lowest of lows even for convicts. There, alone in his cell for two years, he was finally able to forgive his father, finding clarity, cultural insight, and redemption through writing.
During a soulful correspondence with acclaimed author Richard Rodriguez, Loya ultimately found that he wasn't alone in his struggle to discover his identity, and that anger is sometimes the doorway toward realizing one's self and one's purpose. Although the images that propel an angry young man toward a life of crime may leave readers shuddering, the power of Joe Loya's incredible story will surely remind us that we must not lose hope that wayward sons and daughters may one day return home.
FROM THE CRITICS
Publishers Weekly
In this well-written, insightful memoir, reformed bank robber Loya provides a searing account of the physical and emotional scars he received growing up in East Los Angeles. After his mother's death, both Loya and his younger brother suffered horrible beatings from their father, a Protestant minister. While Loya avoids blaming his eventual career as a criminal on his father's brutality, the resulting feelings of helplessness clearly played a major role in transforming a bookish nerd into a violent thug. Pushed beyond his limits, Loya finally takes drastic steps to protect himself. His rapid descent into a life of crime leads to a demeaning and grueling prison stretch. Loya does a masterful job of conveying the survivalist ethos he's forced to adopt while incarcerated. His gradual rejection of that code, nurtured and sustained by a pen-pal relationship with poet Richard Rodriguez, is a little less well-developed, and his ending the narrative shortly after his release leaves unanswered some of the thoughtful questions he raises about rehabilitation and reintegration into society. Nonetheless, many readers will find Loya's honesty and self-awareness gripping and will root for him to transcend his inner demons. Agent, Sam Stoloff. 5-city author tour. (Sept.) Forecast: Richard Rodriguez's foreword lends literary cachet, while a blurb from Frank McCourt is a plus. Loya already appears regularly on Court TV. Copyright 2004 Reed Business Information.
Kirkus Reviews
A cradle-to-jail, coming-of-age and going-bad autobiography from a bank robber out of the East LA barrio. Debut author Loya was schooled in violence by a Bible-thumping, kid-thrashing, wife-beating, feckless father. Dad's first wife, the author's mother, "was twenty-six years old when she died," he writes. "I was nine." The paternal whippings finally ended when Joe attained manhood with one rash act: he stabbed his father. It wasn't fatal, but Dad got the point. Joe shed a flimsy religious guise to become one hardcore hustler, challenging earthly and heavenly fathers. He favored hot cars, cool preppie vestments, and confrontations with all comers. An apostate, he trusted no one, betrayed no emotion, and lied easily. The route from The Church of the Open Door to the prison of barred gates began with bounced checks and progressed to grand theft auto, larceny, fraud, and bank heists. It was fun-until Joe got arrested and spent seven years in the slammer. Suspected of a jailhouse killing (the true murderer is not identified), he landed in solitary. His portrait of jailhouse life shows prisoners pitted against guards, against other inmates, and, ultimately, against themselves. A chance viewing of an Oprah segment prompts Loya to straighten himself out. It's all a one-man show. This introspective Mexican Raskolnikov has become, as his sponsor, Richard Rodriguez, says in a foreword, "a theatrical." He is wont to quote Nietzsche, Rilke, Marcus Aurelius, and other worthies-and, inevitably, the writing smacks somewhat of affectation. But against the odds, this felon's drama is eventually compelling. The solipsistic title refers to an enormous fellow inmate as well as the author. Strong writing froma talent that jelled in prison. Author tour. Agent: Sam Stoloff/Frances Goldin Literary Agency